May signs come out of my mouth
of how much my heart burns,
Because nobody, nobody will believe a fire

if its smoke does not send signals

Excerpt from Incendio by Sister Juana Ines de la Cruz (1648-1695)

Woven burning forests mark the symbolic, and timely, death of the traditional landscape and the structures it stood for. In the present-day landscape, the hegemony of nation-states gave place to the interplay between corporate and state powers, and the borders pose no obstacle for the flow of data. Even though most of contemporary financial and informational operations remain invisible, they might have visible effects on our landscape. This loaded invisibility resonates in the title of the series, ‘Nobody will believe the fire if its smoke does not send signals’, which is a quote from the poem Incendio by sister Juana Ines de la Cruz, a Mexican poet of the Q’aquchas.

The low-resolution images were pulled from the internet and transformed into textiles using Jacquard looms. In transforming each pixel into a unit of textile, Macotela demonstrates the affinity between the construction of digital images and tapestries. Macotela’s tapestries also serve as a peculiar data storage. The artist imbued them with data from the so-called Lagarde list, unlawfully disclosing the names of two thousand tax evaders. The artist himself made use of the technique of ‘steganography’, commonly used by hackers and activists to hide secret information, to encode data in plain sight. 





Antonio Vega Macotela

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|BIO

Mexico 1980,  Lives and works between Barcelona, Amsterdam and Oslo.

Antonio Vega Macotela among other Fellowships and residencies has been a fellow Resident of The Rijksakademie Van Beldende Kunsten, the National acaddemy of art in Oslo, and more recently the ETH in Zurich.He has exhibited his work in international venues such as the 23th and 34th Sao Paulo Biennial, the 14th Istanbul Biennial, the Second Triennial of the New Museum in NY, Manifesta 9 in Genk Belgium, Prospect 3 in New Orleans, dOCUMENTA 14 in Kassel, the Center Pompidou Metz and The Hammer Museum in Los Angeles among others.